Jean and Agnès Foillard took over Jean's father’s domaine in 1980. Most of their vineyards are planted on the Côte du Py, the famed slope outside the town of Villié-Morgon and the pride of Morgon. These granite and schist soils sit on an alluvial fan at the highest point above the town and impart great complexity. However, great real estate is not the only key to Foillard’s success. Early on, Jean began to follow the teachings of Jules Chauvet, a traditionalist who defied everything that the more commercial brands were touting in the region. Jean and three other local vignerons, Marcel Lapierre, Jean-Paul Thévenet, and Guy Breton, soon joined in on the movement. This Gang of Four, as Kermit christened them, called for a return to the old practices of viticulture and vinification: starting with old vines, never using synthetic herbicides or pesticides, harvesting late, rigorously sorting to remove all but the healthiest grapes, adding minimal doses of sulfur dioxide or none at all, and refusing both chaptalization and filtration. The end result allows Beaujolais to express itself naturally, as it should be without the bubblegum and banana aromas of others available today. Its rustic structure, spicy notes, and mineral-laden backbone are what real Beaujolais is all about.
This estate comprises nearly fourteen hectares. Foillard’s wines are deep, structured, and complex, with a velvety lushness that makes them irresistible when young despite their aging potential. Jean raises his wines in older barrels sourced from top estates in Burgundy, a logical decision for someone crafting Gamay in a Burgundian style. It is the passion and dedication of vignerons like this that have brought pride back to the crus of the Beaujolais.
Wine AdvocateThe 2016 Morgon Côte du Py is more convincing on the nose than the Morgon Corcelette at the moment, with vivacious dark cherry, raspberry and orange blossom aromas soaring from the glass. The palate is fresh on the entry with crisp acidity, quite linear and very focused with a saline touch on the finish. There is great potential here, and it constitutes one of Jean Foillard's most promising offerings in 2016.